Preparing your reed to play,
​
A reed must always  be properly soaked prior to playing. Preparing your reed before putting your oboe together will ensure that the first sounds you make feel comfortable and are made with a beautiful, responsive, resonant sound. If a reed is under-soaked it will likely be closed and not vibrate, if a reed is over-soaked it will likely be too open and require too much effort to vibrate. How much soaking your reed needs will depend primarily on three factors. First, let’s look at what a properly soaked reed looks like. 

When a reed is properly soaked, it will be able to peep from a breath attack with minimal delay, and will crow octave Cs. It should be able to sustain a peep for as long as you can blow. The opening should be symmetrical opening wider at the center, meeting closed at both sides (see above picture for reference). When pressed closed, the center closes last and evenly. 

A reed in this state is ready to be played. How do we get there from a dry reed directly out of your case? The reed must be soaked in warm water in a small cup (like an old film canister, shot glass, or medicine bottle). Reeds should never be played without soaking or by soaking in saliva. 

How long to soak a reed is dependent on:

1. when you last played it
2. how many hours of playing the reed has
3. weather/humidity

Depending on these three aspects, a reed will need to be soaked more/less,

1. the longer ago the reed was played, the longer it will need to be soaked
2. the older the reed, the more it will need to be soaked
3. the dryer/colder, the longer it will need to be soaked

With this information, you will be able to judge for yourself how long your reed should optimally be soaked for before playing. Always remember to be gentle with the tip of the reed when placing it in your soaking container. With a shorter soaking time, a short dip in the water with another 30 seconds for the reed to absorb the water may be enough. For a longer soaking time, up to one minute in the water is recommended, any longer and the reed will risk becoming water-logged. 

Happy oboe-ing! 🕊️

Air is the life of wind playing. It is the primary driver of our music. 

Placing notes on top of the wind which is always flowing like a river gives direction, connection, and life to the music. 🌊

I often notice when my playing is lacking flow and direction, it is because I am putting air behind the notes, getting caught up in the pitches, or rather thinking of the notes as primary as opposed to the wind as primary. 

Without air as the basis, our playing lacks direction, connection, and life. 🌬️

​Happy oboe-ing! 🕊️

Reeds are remarkably sensitive and unique. Each piece of Arundo Donax cane is different meaning each reed will have its own individual quality. Reeds play for an average of eight hours. This can be extended through proper care, and rotating between several reeds. Below are some guidelines which will help you keep your reeds in top shape for as long as possible.

Soaking your reeds
Reeds must be soaked prior to playing. Soak in warm water as you put your instrument together.

• Soak for one minute in a dry and cold climate
• Quick dip and let sit for one minute in a moist and warm climate
• Do not soak in saliva, this breaks down the cane more quickly

 
Reshaping the opening

• During travel or periods of rest, the opening of the reed may change shape. Once the reed is soaked, you may gently use your fingers to create an opening in the shape shown in the above image.
• When you gently squeeze the reed closed, the sides should close first and evenly and the center last.​ If this is not the case, use your fingers to very gently manipulate the opening, squeezing the sides together and encouraging the center to open.
• Never push the reed beyond its own strength, let the cane guide you in the amount of pressure you use-it is often less than you think.  

While playing

• Be mindful of your reed at all times, especially when resting. It is easy for a reed to be chipped on the stand, your shoulder, or your tooth. Take your reed out and place it upright on the stand or in your case for tacet movements/especially long rests. 
• Take care of your equipment and your equipment will take care of you!
• Remember to use a good embouchure (corners in) and do not bite your reed.

After playing

• Blow gently through the bottom of the reed to clear excess moisture.
• Allow the reed to be mostly dry before putting it in the case, moisture can lead it to mold.
• Get a reed case to store your reeds- do not store them in the plastic shipping tubes. 
• Keep the reed in your reed case when it is not being used.

Other general advice

• If the reed has a crack in either blade, it is time for a new reed! Do not waste your energy playing on a cracked reed, you will develop poor habits. 
• Anticipate your needs, do not wait under you only have one reed left to purchase new reeds. This eliminates the panic of having no usable reeds.
• ​Aim to have at least 3-5 reeds that you would play a concert on at all times.

Happy oboe-ing! 🕊️

I may not always feel like making reeds or practicing, but I show up each day
​
It's a practice of dedication, and the discipline builds confidence

I know that my worth is not determined by how I sound or what I get done on a specific day,
My worth is not determined by how much I do or don’t do at all…

My worth is innate.

I show up each day because I know I am worth the dedication.

​Happy oboe-ing! 🕊️

I sit with a lot of (seeming) contrast this morning..
about the shift from heart to tip: how the transition between these two parts requires the sharpest knife to get the subtlest gradients. 

how I see this in the way the earth moves from winter into spring: 
last week the daffodils, speedwell, and fig buttercups bloomed in the warm sun of a planet turning towards spring. This morning the sleet and snow is blowing down in the frigid wind at a 45 degree angle.

When I was 18, I read an essay by my professor about yin and yang in oboe reeds
I didn't really get it at the time
but revisit the concept often

Perhaps these are not really contrasts: sharpness and subtleness, warmth and cold, darkness and brilliance, but the light inside the dark and vice versa. seemingly contrary but really complimentary

maybe the contrasts simply demand of us the greatest presence and respect to properly perceive them..

the gradual transition is created by the sharpness of the knife the way winter turns to spring: 
with what appears at first as a contrast 
the sharpness facilitating the softness;
the light in the dark and dark in the light. 

Happy oboe-ing! 🕊️

I used to force ...a lot. 

I'd feel pressure to complete a reed, learn a piece, or develop a skill as quickly as possible. I spent so many hours, ineffectively forcing something that wasn't ready, something that was asking for my time and patience. I usually ended up disappointed, frustrated, tense, and with nothing to show for my hours of exertion.

Years of this approach led to burn-out, chronic stress, and anxiety. Since these are not values I wish to hold in general in my life and certainly not ones I'd hold as a musician either, I took a couple steps back to analyze. 

I realized that the forcing was not helping me achieve the outcome I was looking for. In fact, it often took me pretty far off target. 

When it came to reed making in particular, I noticed how reliable my reeds were and how long they lasted when I took my time making them.

It is an important skill to be able to make a reed in one sitting. But,

I spent many years forcing and pushing for reeds to be done quickly. 
Many of these reeds may have worked adequately (many didn't), but they all lacked the stability and quality of the reeds I make when I take my time. 

"Take care of your equipment and your equipment will take care of you" one of my teachers said. 

Reeds are certainly some of our most important equipment so I like to take my time with them.

No rushing. No forcing. No distractions. No stamping a pattern on a piece of cane. Just allowing the reed to take shape in it's beautiful individuality.

It's mostly a mindset thing for me.. when I approach a session thinking "I need a reed at the end of this", I usually wind up disappointed, usually because that forcing and pushing entered the situation. But, when I take the pressure off myself and just show up with my full attention to what the cane needs, I invariably come out with a reed. Perhaps not as quickly, but certainly with a better outcome. 

Here's to slowing down and being present. 

Happy oboe-ing! 🕊️